Do Androids Dream of Electric Sheep?
- "What sticks with you are more ghostly images: a fuzzy video screen, a sad-faced android and an opera singer, played by Moira Stone, who seems both completely phony and movingly fragile at the same time. " - Jason Zinoman, The New York Times
- "Moira Stone is extraordinary as Luna. She has a singing voice as strong as her acting skills." - nytheatre.com
- "Every performer is wonderfully cast, but the most notable are Moira Stone
as the opera singer Luna Luft who is featured singing arias during a
good portion of the play and has one of the most controlled and
beautiful mezzo soprano voices I've heard in a long time... and she's a
fine actor to boot (in my experience the two don't necessarily go hand
in hand)..." - theatre is easy
- "Another
of the all-new soliloquies is a cutting inquisition about the humans’
apocalyptic world war from the not-yet-quite-outed android opera singer
Luna (Moira Stone), with which
she turns the tables on Rick when he’s come to assassinate her; the
most radical device that’s new to the play is Luft’s Greek-chorus of
opera songs (very un-simulated, in Stone’s
unearthly voice) — in the book, her repertoire was classic-aria
boilerplate, as escapist as Pris’ unwillingness to talk much about
Mars; Dick’s original was about a narcotized public avoiding reality in
as many ways as it could, while Einhorn has given thought, and voice,
to what would most be on these characters’ minds." - Comic Critique
Brandywine Distillery Fire
Every Play Ever Written:
a distillation of the essence of theatre
- "a
gleefully funny faux-lecture that skewers theatrical pomposity as
vigorously as Stephen Colbert picks apart political punditry .... a
must-see for anyone who has been onstage .... Moira Stone (the
actors use their own names) and Audrey Crabtree ... are appealingly
flabbergasted by their flirtatious leader... " - Jason
Zinoman, The New York Times
- "If
you want to bust your
gut laughing, and also be exposed to one of New York's fastest-rising
theatrical talents, then you need to see this show pronto. ... Berg,
Crabtree, and Stone mine
Every
Play Ever Written for all the laughs it's worth (which are many), and
make viewers long for their actual performances in some of these roles.
(Stone as
Medea? I'm all for it.)" - nytheatre.com
Greed: A Musical Love
$tory
- "Moira Stone belts
her way beautifully through a day in the life of Manhattan social
climber Lindy Bloom..."- Time
Out New York
- "The
entire
production is anchored by a funny, touching, and absolutely masterful
lead performance by Moira
Stone as Lindy." - nytheatre.com
What Makes Sammy Run?
- "And Moira Stone, as Kit
Sargent, the Dorothy Parker-style famous scriptwriter who is at first
attracted to, then repelled by Sammy, is gloriously powerful,
entrancingly beautiful and possessed of a gorgeous voice."
- Lee David, Southampton Press
- "Carl
Anthony Tramon's ... impassioned performance is well matched by ... Moira Stone's
assured Kit, the writer who falls hard for Sammy but loves Al."
- Harry
Forbes, Backstage
The
Underpants
- "…Stone delivers an
endearing performance. She wonderfully reiterates Louise’s
bubbly flirtatiousness and naivete in the wake of her newfound
notoriety, but is also very touching …" -
Russell
Florence, Jr, Dayton City Paper
Film is Evil: Radio is
Good
- The
struggle presented here, is between Radio and Film. Radio, at a table
adorned with party hats and well-groomed bourgeois guests ...
is
led by Moira
Stone,
a sort of fascist temptress, whose issues with the medium of film seem
to come both from personal animosity, and some sort of Higher Power.
The cast is uniformly excellent, especially ... Ms.
Stone
(whose delivery of the words “Cleveland, Ohio”
actually made me laugh a little too loud) ..."
- nytheatre.com
Bitch Macbeth
- "Like
a sadomasochistic tango, the wildly ambitious, highly stylized Bitch
Macbeth reinvents the famous tragedy as a psychosexual dance of
domination, submission and the wages of power. … The entire
cast is uniformly terrific … but special mention belongs to Moira Stone's rich
Lady Macbeth, who gives her theatrical character great dimension
without overplaying it." - Tom Penketh, Backstage
Dangerous
Liaisons
- ...Moira Stone
as Sarah Merteuil showed sparks of life, gleefully plotting her revenge
on her former lover and showing icy contempt for those hurt by her
scheming. …Stone provided a welcome dose of genuine emotion
and
promising talent. - J.C. Miller, Backstage
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